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History of CaricaturesOf some of the earliest caricatures are found, are in the works of Leonardo Da Vinci, who seriousy sought people with deformities to draw as his models. The purpose was to offer an impression, a caricature of the original, which was more striking than a portrait.
Caricatures experienced their first successes in the closed aristocratic circles of France and Italy, where such caricature portraits could be passed about for mutual enjoyment.
While the first book on caricature drawing to be published in England was Mary Darly's A Book of Caricaturas (c. 1762), the first known North American caricatures were drawn in 1759 during the battle for Quebec. These caricatures were the work of Brig. Gen. George Townshend, whose caricatures of British General James Wolfe were drawn to amuse fellow officers. Elsewhere, two great practitioners of the art of caricature in 18th-century Britain were Thomas Rowlandson (1756–1827) and James Gillray (1757–1815). Rowlandson was more of an artist and his work took its inspiration mostly from the public at large. Gillray was more concerned with the vicious visual satires of political life. Reference the Tate Gallery's exhibit "James Gillray: The Art of Caricature.
Drawing caricatures can simply be a form of entertainment and amusement – in which case gentle mockery is in order – or the art of caricatures can be employed to make a serious political point. A caricaturist draws on the natural characteristics of the subject (the big ears, long nose, etc.); the acquired characteristics (stoop, scars, facial lines etc.); and the vanities (choice of hair style, spectacles, clothes, expressions, and mannerisms).
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